Pinta Studio has brought many auras since its birth, including the youngest executives of Ali before, full VR narrative, etc.... However, despite the attention and interest of everyone, there has been no emergence of works, plus the same The PR team of other teams is similar, so that everyone quickly disappears after they quickly become interested in them. But now their work is finally on the line.

My basic expectation for domestic content is this: I don't think that domestic content is good. Even if the quality of all aspects is not bad, but the possibility of "soul" basically goes to 0. Because, this is not entirely determined by the team itself, and it is constrained by the cultural and economic environment in China. After all, a project depends not only on self-struggle, but also on partners, regulations and audiences, that is, the process of history.

Of course, from another perspective, although this possibility tends to 0, it is not 0. This is because there are 1.3 billion people in the country after all, and the sample size is still large enough. Occasionally, we can still see some works that are incompatible with this environment and can be called enchanting. What makes me happy is that the old man who picks up the dream may be within this variable.

The first scene of "The Old Man Who Picks Up Dreams" is not colorful - it can even be said to make me feel within the scope of "domestic level". A scene without a sky box, a strangely proportioned car (a car with a cartoonish scale that is not paved, is still a bit unexpected for people who don't know the background), a concrete floor with rough material textures at the foot, and a high-speed road bridge with sharp edges... They wanted to tell the story of the beginning through a performance technique similar to the “spotlight” effect in theatrical performances. However, because the scope of “spotlight” is too large, the contrast is not high enough (the shadow is very light, unlike the “spotlight” in general). Obviously under the effect of the shadow, the overall scene gives a simple feeling, it can be said that the first look and feel is not very good. Of course, at least the feelings of depressed young people dropping their guitars are still passed on, though not so obvious (the artistic style of this small eye has an inherent flaw in the expression of emotions).

The second scene is still normal. The falling guitar on the ground flashed in the air immediately and it reminded people of the familiar Tianjuan online game “Tiao Bao”. The sky is full of moons, but the conflict with the performance of the spotlights in the previous scene may make it impossible for people to immediately contact the relationship between the two scenes. The old man picks up the broken guitar, and the puppies who are dependent on each other leave, point question - "Dream Collector".

The third scene reflects the daily life of the elderly in the room and it is amazing. This first feeling comes from the impact of the sound - each action - open the drawer, flip things, bells, footsteps, tool collision sounds, the dog's back and forth, each sound is just right. This scene perfectly reproduces the feeling in the real world – the silence of the solitude is reflected by slightly messy sound effects; if it is normal movie and television processing, it is likely to be the reverse, and the sound processing will eliminate the unnecessary noises. . This scene also embodies the effort of the team – it may not be true for real shots, but for animated movies, the level of detail of this sound still reflects the team's hard work. This scene shows the day-to-day life of the abandoned goods that the old people have repaired.

The fourth scene is very interesting. I believe that the Pinta team has also made great efforts here and has done many experiments. It is very likely that there will be many changes in the future. This scene wants to embody the feeling of time and time/day after day/spring/summer/autumn/rainy and snowy. However, since the transitions in each case are directly and bluntly switched, and the elderly people appear in various directions, sometimes people do not know where to look. Of course, in VR, what form of expression should be used to allow people to experience the passing of time in a matter of minutes is a matter of no certainty. I personally feel that some parts may be expressed in fading patterns. Of course, when dealing with changes in the surrounding environment such as weather/light, it is very troublesome to deal with this way; perhaps people appear/disappear asynchronously in multiple locations. , And the asynchronous implementation of the scene switching will be relatively good? But it also needs to design a strong control of the entire feeling. It is worth mentioning that the soundtrack of this scene is very good, in full accord with the feeling of want.

However, it needs to be explained that the last part of the scene I didn't understand too well, especially in the second phase of observation of the details, I still do not understand too much. The last part of the scene switch is gradually faded away; the old man fades away once in the process of walking; the sky is falling many meteors, the old man seems very depressed. I didn't understand the intention of the scene here, I believe ordinary viewers will not understand. In my feelings, this paragraph is a deleted sentence, whether it is in the mood or story understanding will not have a significant impact on the viewing experience. (After Pinta's mention, I would like to show that there are too many people who think that the old people feel that they have given up dreams, and that they are too busy to be frustrated.)

In the fifth scenario, the old man was reminded by the snowflake that the time had come when repairing the abandoned product. The old man repaired the last gift and walked into the magical room behind the conveyor belt – where every abandoned treasure floated. Yes. It is also a Christmas season, and it is time to set off to bring the dreams of the world’s souls to memories that have long since been lost.

This section can be said to be quite satisfactory, and there is still a lot of room for improvement. For example, when the old man pulled up his cape and tossed it in the air, I thought that the cloak would wrap him up and turn into a Christmas suit instead of simply blocking it. Transfiguration; air gift collection can be more dazzling, time and place wormholes can be more ambitious ... and so on. However, the transmitted information was delivered in place, and it was estimated that the rest of the project managers had crazy restrictions on designers who couldn't live up to expectations and added various effects.

The main story here is over, and the last scene is the finishing touch. The inheritance of dreams is a desire that is rooted in the hearts of each of us; although simple, it refers directly to the hearts of people. When Dad picked up his daughter and struck the strings, it was like pulling the hearts of every one of us. Of course, because of the uncharacteristic nature of this suit, when it was first seen, it reacted; if there were any more obvious features, people could see that they would immediately be able to relate to the lonely youth who fell the guitar in the first scene. All right. For example, the hairstyle changed to a rock-and-roll youth scorpion? With a certain ornament? Suit chest with a pen?

In general, although the film has a lot of room for improvement, such as the separation between the scene and the scene is very obvious, unlike the "Dear Angelica" is flowing, etc. ... but it has already done a work of art The most important part of the need - to give you emotional touch. This kind of instinct is instinctive and irresistible; in today's stereotyped VR content - no, it's very difficult for the entire content market. The emotion accumulation and rhythm control that are needed to achieve this kind of moving affection for the entire movie is polished in detail and painstakingly, without the slightest chance of chance. This is enough to show sincerity.

However, what is more important is how long this kind of thing can last for today's market. Pinta has a lot of content that does not affect the content of the story. It is of course good for content, but for Kim Daddy Not necessarily satisfied. In addition, they have also begun to develop derivatives and peripherals, but it is clear that the difference between the surrounding and direct sales is not so big. In any case, from the perspective of liquidation, market performance remains to be seen. We hope that we can provide them with enough space to follow their wishes to follow up on their wishes.

Their new work "Taste of Illusion" has been submitted to the next Sundance Film Festival. I hope all goes well!

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